The Abyss (Latin Abyssus bottomless) is an infinite Leap Into The Void of primeval rituals and imposing widths. Pushed towards immeasurable amounts of audiovisual colors. Everything in The Abyss is organic, static and alive at the same time, where time is non-existent.Add to cart Product page
Fields Of Serenity contains pads and soundscapes smooth as silk, warm and heavenly. It contains sounds of joy, harmony, calmness and delight. The main focus of the soundset is pads and soundscapes which is completed with lead sounds designed to create beautiful melodies aswell as bass sounds with an initial softer touch.Add to cart Product page
Cinematic, death ambient, drone, noise, industrial and spiritual.
Imagine the atmospheres of the deepest forests, harsh deserts, arctic storms, the ambience of a ghost city, the tail of a comet, industries inside a tomb combined with grains of spirituality and, you have just perfectly depicted Omin Obscurus Atmosphaerum.
Fundamental contains 95 sub bass, bass and lead sounds. It is a hybrid collection blending contemporary electronica, subs, deep fat bass sounds, dirty leads with expressive colorful synth sounds inspired by artists such as Joe Zawinul, Jan Hammer, Herbie Hancock, colored just enough to give it a certain amount of a Leap Into The Void.
Ultra sub basses and eclectic leads.Product page
Flow is a collection of pads whose character is best described as a continuous flow. There are mellow pads, deep pads, lush pads, rich pads, detuned pads, organ pads and more, all sharing one purpose. If you want you could call them, basic pads with a touch of Leap Into The Void. Leap Into The Void have named them ”Flow”.Product page
Entelechy And The Aesthetic Glitch.
Enchantment Of Absynth Vol. 3 contains percussive elements, tempo-synced sequences, soundscapes, textures, drones, noise, lead sounds, bass sounds, pads and more. A big source of inspiration for Vol. 3 come from glitch composers such as a couple of the names from the label raster-noton, with the dark and divined touch of a Leap Into The Void.
Being a noncommercial sound designer myself , i find that i just can’t get to all the synths that i would like to. Fortunately, Mikael’s programming for Massive and Absynth totally satisfies my needs for dark cinematic tones. Each of his patches tell a story by themselves. They are used on the Viking Tv Series and mix well with Wardruna’s musical offerings. They have a long shelf life, great intention and will be used for quite sometime. I highly recommend Mikael’s creations to all if you want a different twist for your projects.Steven Tavaglione,
I finally had a little time tonight to listen to some Flow patches. What a delight they are! The Macro knobs allow so much manipulation of the sounds that every patch has an amazing range of variation. I’ve only got as far as “Drive” in the past hour or so. There is just so much in each patch to listen to and alter. I’m taking my time with these so I don’t miss anything. I’m so impressed that you have the skill and patience to create such beauty.Dave Burns, MA USA,